Sports & Action Photography For Beginners
- Descrição
- Currículo
- FAQ
- Revisões
Using sports as a platform, this course provides beginner
and novice level photographers a foundation for shooting dynamic subjects in a
variety of settings. The student will learn valuable insights into getting
those professional level photos at sporting events, music venues, plays,
presentations, re-enactments, and many others.
In order to shoot like a pro, you have to first think like a
pro. Knowing what camera settings to use is an absolute necessity, but it is
the equivalent of knowing how to use the features of your car. Knowing how to
turn on the wipers will not make you a better driver. In a sense, this course
assumes you know how to start your vehicle. It is my job to help you become a
Formula One driver.
Many forms of photography rely on the photographer to
manipulate the subject and environment in which he, or she, is shooting. This
course helps you understand what to do when your subject and environment are
totally out of your control. You will learn how to anticipate and compose great
photos in the most difficult of shooting conditions.
Action photography (Sports, street, weddings, candid, event,
and basic photojournalism) is not a spectator sport. If you have a desire to learn
how you can take great photos of dynamic subjects in interesting venues, then
this course is for you.
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1An Overview of Sports & Action Photography: (The Story, What & Why)Vídeo Aula
This is an overview of the entire course; offering insights into the methods the instructor will use to create 'new thinking' relating to sports and action photography.
There are also two assignments in this lecture that will help the student lay the foundation for learning in future lectures.
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2Equipment Part 1: Cameras & Lenses (Questions to Ask, Things to Consider)Vídeo Aula
This lecture is the first of two parts about selecting what equipment and accessories you may need. It is primarily a discussion about the fundamental differences between pro and consumer / prosumer level gear. The instructor provides careful insight for the student to make decisions about their equipment needs and how it might apply to their budget.
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3Equipment Part 2: (Options, Accessories & Essentials)Vídeo Aula
This lecture is a continuation of Lecture 2. The instructor offers a cursory overview of the accessory items needed for sports and action photography; covering a wide range of topics, from rain gear and weather related items options for transporting and carrying gear.
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4Light: It Is Our Friend: (So, let's not be afraid of it and learn how it works)Vídeo Aula
This lecture is a primer for the next three. Cameras offer three basic tools to manage light: aperture, shutter speed, and ISO. But, it is not enough to know how to use these tools. We must first understand what we are managing and why. Lecture four is a brief overview of light and the characteristics we typically need to manage, using the tools discussed in lectures five, six, and seven.
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5Image Quality Part 1: (The Light Triangle - Aperture)Vídeo Aula
This is a brief lecture about aperture: what it is, how it works, and the trade offs involved.
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6Image Quality Part 2: (The Light Triangle - Shutter Speed)Vídeo Aula
This is a brief lecture about shutter speed: what it is, how it works, and the trade offs involved.
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7Image Quality Part 3: (The Light Triangle - ISO)Vídeo Aula
This is a brief lecture about ISO: what it is, how it works, and the trade offs involved.
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8Access & Position: (Sports Shooting is not a spectator sport!)Vídeo Aula
This lecture provides insights and advice for gaining access to events and coaching on getting into the mindset of being the spectator advocate: a proxy for the viewer.
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9Your Subject: (Understanding what you are after Part 1)Vídeo Aula
This lecture challenges your understanding of defining what you really want to shoot.
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10Your Subject: (Understanding what you are after Part 2)Vídeo Aula
This is a continuation of Lecture 9. It focuses on helping you understand your plan for shooting an event and defining what photos you need to have to tell your story.
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11Your Subject: (Understanding what you are after Part 3)Vídeo Aula
This lecture will stretch your thinking around why you are seeking the shots you are after. Sometimes understanding your real motivations can help you decide what to shoot and how to shoot it.
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12Not Your Subject: The Importance of Background and Environment (Sense of Place)Vídeo Aula
Too often, the beginner will concentrate so much on the action and subject, they completely overlook other important elements of the shot. Backgrounds are critical to producing great photos and with just a little attention, you can make huge improvements by managing background elements.
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13The Windows to the Soul: And Other Cliches (It's not always about the QB)Vídeo Aula
It's OK to get that great action shot. But, the money: what people really pay for, is in the eyes and facial expressions. Learn to incorporate this into your shots, and you will get paid for your photos... :-)
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14Using Light To Our Advantage: An OverviewVídeo Aula
This lecture takes the building blocks of light management from the first part of the course and provides insights into proper application.
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15The Mechanics: Readiness, Anticipation, & Reaction (Situational Awareness)Vídeo Aula
In this lecture we will explore the mechanics of shooting action. Much of it can be summed up in three concepts: Readiness, Anticipation, and Reaction. These three things combine to form the 'Perfect Shot Matrix'.
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16Composition: (Yes, you really can compose sports photos)Vídeo Aula
In spite of what many people believe, you are not completely bound by the limits of your subject's actions and position. To a certain extent, you can compose some of your shots to create a more interesting and compelling 'story'.
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17Conclusion: Putting It All Together (Making that great sports photo)Vídeo Aula
A final homework assignment and farewell message of encouragement from your teacher.
